After almost four years of planning, writing and editing, a totally updated and extended German version of Alexei Monroe’s book on Laibach and NSK will
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be released by Ventil Verlag this March. “Laibach & NSK – Die Inquisitionsmaschine im Kreuzverhör” includes material covering Laibach & NSK-related activities since the publication of the English 2005 edition with new photographs, contents and an extensive chronology not featured in the original book.
:Alexei Monroe, books, Laibach, NSK
An updated French translation of Alexei Monroe’s book on Laibach and NSK was just released by Le Camion Noir.
Interrogation Machine, Laibach et le NSK includes material covering the last decade with new photographs, chronology and contents, plus an exclusive final chapter dealing with the reception of Laibach and NSK in France.
:Alexei Monroe, Book
The exhibition Dreams and Conflicts dedicate to the Slovenian group IRWIN, curated by Julia Draganović and Claudia
Löffelholz of LaRete Art Projects, promoted and organised by the Galleria civica di Modena and the Fondazione Cassa di Risparmio di Modena features a selection of works resulting from the close collaboration projects staged over the years by the collective with some of the most prominent artists from the international contemporary scene, such as Marina Abramović, Joseph Beuys and many others.
:exhibition, irwin, Italy
The exhibition “NSK: Past –
Present – Future
Present – Future” marks the 30th anniversary of the founding of NSK by depicting the development of the Slovenian artist collective “Neue Slowenische Kunst” from its birth within the context of Yugoslavian alternative culture in the 80s through the founding of the NSK State in Time in 1991, and offers a glimpse into the future.
For reasons known only to the French moral police, Laibach has always had problems getting shows in France. We’ve been accused of fascism and all kinds of paranoid nonsense and cultural chauvinism. The same situation is unfortunately repeating now with our upcoming tour to promote the new album Spectre, released this month by the British label Mute, where Laibach records have been published since 1987. (continue reading…)
:concert, France, Laibach
Taken from Laibach’s uncategorizable forthcoming album Spectre, the rousing synth-pop of “The Whistleblowers” is inspired by provocateurs such as Edward Snowden and Chelsea Manning, continuing the
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band’s long-established critique of
power and political freedoms. “They predicted the downfall of Yugoslavia through their music,” says Norwegian director Morten Traavik of his most recent collaborators. “Now they’re back in sync with what’s happening.” Formed in 1980 in Trbovlje, Slovenia, Laibach started the Neue Slowenische Kunst art movement, which eventually became a ‘virtual country’ complete with its own passport, amassing a vast collective body of work that was showcased at London’s Tate Modern in 2012. The nostalgic and utopian feel of today’s song is matched by a video that stars a group of young athletes from Riga, Latvia. “It was shot using a one-of-a-kind LOMO camera lens from the Soviet
Union,” says Traavik. “This resulted in this extreme widescreen format, much like a three-stripe national flag with the video as the middle stripe.” The director’s 2012 clip of a North Korean accordion band performing A-Ha’s “Take On Me” shared the group’s playful exploration of patriotism and nationhood, while accruing two million YouTube views: “We felt straight away that this is a Laibach-kinda person,” say the band.
Spectre is Out March 3 on Mute.
:Laibach, spectre, Videos