This one day symposium will elaborate on the themes addressed by the exhibition NSK Folk Art Rising 1916-2016 and their broader social and cultural impact in relation to the period of commemoration in Ireland and the precarious state of the European Union. Artists and invited guest speakers will discuss the role of the contemporary nation state, the aesthetics of memorialisation in relation to place (both real and imagined) and the relationship between artists/artist’s collectives to the current climate of globalization.
Friday July 1, 10.00 AM – 5.00 PM
The Lecture Hall, Burren College of Art
9:30 Coffee & Registration
10:00 Welcome & Introduction (The Organising Committee)
10:15 Mapping a State in Time (Borut Vogelnik (IRWIN) in discussion with Conor McGrady)
11:00 Artists Forum 1: NSK Aesthetics & Appropriation (Lili Anamarija No, Haris Hararis, Avi Pitchon, David K. Thompson)
12:00 Dissolve the People and Elect Another (Michaele Cutaya)
1:45 A History of Stone, Origin & Myth (Megs Morley)
2:30 Financial Intervention: Currency Crisis and the NSK State (Charles Lewis)
3:15 Artists Forum 2: 1916, The State and the Collective Imaginary (Sz.Berlin, Shane Cullen, Conor McGrady & additional participating artists).
4:00 Film Screening: Generate the State (Dir: Johnny Gogan)
Burren College of Art is pleased to announce The 2nd NSK State Folk Art Biennale: Folk Art Rising 1916 – 2016 as this year’s Burren Annual exhibition. The 2nd NSK State Folk Art Biennale will bring together over 30 international artists and collectives including special guests and NSK founding members, IRWIN.
The Burren Annual
The 2nd NSK State Folk Art Biennale: Folk Art Rising 1916-2016
June 30 – August 5
Burren College of Art
Opening Reception & Performances, Thursday, June 30, 6.00 – 9.00 PM
Symposium Friday, July 1, 10.00 AM – 5.00 PM
Terrain (En) Actions Saturday, July 2, 10.00 AM
2nd NSK State Folk Art Biennale: NSK Folk Art Rising 1916-2016
The 2nd NSK State Folk Art Biennale will be held at Burren College of Art, Ireland, in 2016
June 30 – August 5, Burren College of Art, Co. Clare, Ireland
CALL FOR ARTISTS
The NSK State in Time was created in 1992 as a conceptual art project of the Neue Slowenische Kunst collective (founded in Ljubljana in 1984). It was intended as response to the break up of Yugoslavia and was also the natural culmination of NSK’s state-like artistic actions of the previous years. As a virtual state in time and without territory, the NSK State interrogates nationalism, ideology and the relationship between authority and utopian desire in relation to social formations. Since its formation over 14,000 people have become NSK citizens and they have increasingly self-organised in the wake of the 1st NSK Citizens’ Congress in Berlin in 2010, and the 1st NSK Folk Art Biennale in Leipzig in 2014. Other recent citizen-organised events have taken place in Lyon, London, Manchester and New York. Alongside founding NSK collective members, the Biennale featured NSK Folk Art, works generated by NSK citizens who appropriated, reprocessed and redeployed NSK aesthetics, state iconography and motifs to critically examine the contemporary nation state and the often ambiguous nature of the radical alternative posed by the NSK State in Time.
The 2nd NSK State Folk Art Biennale will be held at Burren College of Art, Ireland, in 2016. The Burren (or Boireann in Irish) means “stony place,” and is a limestone landscape of cairns, dolmens, and other megalithic structures. A catalyst in the development of the 2nd NSK Folk Art Biennale was the fact that geology in this region has been classified as karst, a word derived from the Kras region in Slovenia, and that karstological terms of Slovene origin like doline and polje have entered the common parlance for local geographic features.
The Biennale will be the second major NSK related event in Ireland, following NSK events held in 2004 in conjunction with the expansion of the European Union, including an exhibition, performances, and the opening of an NSK passport office in Dublin.
:Citizens, NSK Folk Art
On May 12, 2015, an event was held to mark the opening of the NSK: Kapital to Capital exhibition at the Moderna Galerija in Ljubljana, a retrospective of the first ten years of the artist meta-collective, NSK. The end of this period coincided with the end of Yugoslavia and the beginning of the NSK State – a virtual state, complete with passports, which they created. At the event on May 12th members of one of the constituent collectives, Irwin, handed out envelopes marked “N$K”, with a dollar sign. Simultaneously, thousands of miles away in New York, Laibach, one of the other original NSK groups, held a concert where these envelopes were also distributed. Both sets of envelopes contained a new state artifact: NSK State currency.
The Third International NSK State Dacha will be held Saturday, December 26th 2015 at 8:00PM
The NSK State Dacha is an annual citizen-driven initiative and temporary sovereign zone in the central New Mexican Desert. NSK Citizens and guests are invited to spend a holiday evening in an old Norwegian style log villa located on Highland Hill, where it once overlooked tuberculosis sanitariums, a psychiatric asylum, and breathtakingly crimson sunsets. Hosted by artist david K., past events have included NSK-related projections and programming, exhibitions, and LAIBACH tribute musical performances.
This year the Dacha presents an interactive multimedia installation – Nationalist Sound Klinik – a collective of musicians and sound artists featuring members of Enemy Tone, Unnatural Element, and Wurm. The aim of Nationalist Sound Klinik is to address the human condition while critiquing political and media reaction to the atrocities occurring in Syria and the resulting refugee crisis.
Visitors without NSK State passports will be issued appropriate visa documentation.
Libations will be available (guests must be 21+).
ADMISSION IS FREE, BUT AN INVITATION IS REQUIRED
From September 26th 2015 to January 10th 2016 Kunsthalle Osnabrück will show “IRWIN: Wo denkst du hin?!“. The title refers to a German saying which, with its spatial connotation, is impossible to translate. You use it in conversations, when you believe that your interlocutor is drawing the wrong conclusions. You make him notice that, but do not correct him.