AUSSTELLUNG LAIBACH KUNST PERSPECTIVES 1980-2011
UGM l Maribor Art Gallery, Strossmayerjeva 6, Maribor, Slovenia
Press Conference: Wednesday, 23 February 2011 at 11:00
Opening: Thursday, 24 February 2011 at 19:00

The exhibition is dedicated to the academic painter Janez Knez (1931−2011).

The internationally renowned multidisciplinary collective and performance group Laibach are returning to the exhibition space! After 30 years of provocative activities and ‘performances’, Umetnostna galerija Maribor / Maribor Art Gallery presents a review of Laibach’s visual artwork.

Since their formation in the early 1980s, Laibach have been engaged in an obsessive dialogue with the totalitarian ideologies of modernity and their relation to art. Far from being solely intelligible in the cultural context of 1980s Yugoslavia, their work still offers critical perspectives to a globalised world which continues to be affected by modernity’s conceptions of the state, the individual, mass culture, art, and politics. Exhibition at UGM opens new perspectives on Laibach by highlighting their original beginnings as an ‘arts’ collective. Although Laibach have repeatedly rejected this designation, their self-fashioning as ‘engineers of the human soul’ is telling of the degree to which all of Laibach’s performances have sought to ironize and collapse clear-cut categories such as ‘art’, ‘politics’, and ‘popular culture’. Despite their influence on established artists, theorists and wider audiences, Laibach occupy an unframed position in the national and international art scene today. Their explorations into the world of popular music have gained them international renown. However, all of their performances have been radically self-reflexive in a way that responds to the functions ascribed to ‘political art’ in contemporary society, rather than to the consumerist and escapist nature of popular music. With their performances on diverse stages such as galleries, concert halls, opera houses, TV, internet, video, theatre, industrial power plants and shopping malls, Laibach represent a unique challenge to the categories established by Western art criticism.

The exhibition comprises twelve rooms presenting key stages of Laibach’s work from the first decade of their career in the 1980s up to the present. The works on display include multi-media installations, oil paintings, photographs, graphic works, and film. A new installation created especially for this exhibition, titled Artist Perspective, will be on view. This is the biggest Laibach Kunst exhibition in Slovenia to date.
The exhibition includes works from private collections of Neil Rector and Daniel Miller, works by Jane Štravs and Sašo Podgoršek and objects from the Maribor Regional Museum and the Institute of Anatomy of the University of Ljubljana. The exhibited works were created in collaboration with Janez Knez, Paola Korošec, Benjamin Kreže, Simon and Uroš Arnšek.

Curated by: Simona Vidmar, Laibach and Claudia Richter

Laibach announced a special, double headline, concert featuring Laibach and Juno Reactor on the occasion of the long-awaited opening of Kino Šiška, a new concert venue in Ljubljana (Slovenia), on 18.9.2009.

Photo by Marco Pirc

Especially for this occasion Laibach created new versions of some of their older tracks from the first half of 1980′s.
Laibach and Juno Reactor will join forces also on the selected dates on December EU tour.

DUNJA ZUPANČIČ explores two complex systems in postgravitaty art: empty-body directing and the syntapiens system, and visualises their point of connection. She geometrises all conceptual information about the emptybody directing of Dragan Živadinov and about the syntapiens system by Miha Turšič with temporal layering and informing.

MIHA TURŠIČ is not a designer because he wants to build his own tangible landscape, to be a part of the magnificent capital-driven production of products. No! Categorically differently :: exploiting his profound digital talent, he designs ideas about the human being and the feeling of being human in weightless environments.

The series of events of the fifty years performance Noordung connects DRAGAN ŽIVADINOV with Dunja Zupančič’s system of anti-gravitational visualisation. A public, secular act, with a precisely defined form, is inevitably an operation of sense if it is informed by visual thinking. The dual of Dragan Živadinov and Dunja Zupančič becomes plural with Miha Turšič!