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Tag: Laibach

German version of Alexei Monroe’s book on Laibach and NSK


by on Mar.27, 2014, under Articles, NSK State


Laibach und NSK - Alexei Monroe

After almost four years of planning, writing and editing, a totally updated and extended German version of Alexei Monroe’s book on Laibach and NSK will be released by Ventil Verlag this March. “Laibach & NSK – Die Inquisitionsmaschine im Kreuzverhör” includes material covering Laibach & NSK-related activities since the publication of the English 2005 edition with new photographs, contents and an extensive chronology not featured in the original book.
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Nous accusons!


by on Mar.01, 2014, under Articles


Laibach in Paris

For reasons known only to the French moral police, Laibach has always had problems getting shows in France. We’ve been accused of fascism and all kinds of paranoid nonsense and cultural chauvinism. The same situation is unfortunately repeating now with our upcoming tour to promote the new album Spectre, released this month by the British label Mute, where Laibach records have been published since 1987. (continue reading…)

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Laibach: The Whistleblowers


by on Feb.28, 2014, under Articles


Laibach: The Whistleblowers on Nowness.com

Taken from Laibach’s uncategorizable forthcoming album Spectre, the rousing synth-pop of “The Whistleblowers” is inspired by provocateurs such as Edward Snowden and Chelsea Manning, continuing the band’s long-established critique of power and political freedoms. “They predicted the downfall of Yugoslavia through their music,” says Norwegian director Morten Traavik of his most recent collaborators. “Now they’re back in sync with what’s happening.” Formed in 1980 in Trbovlje, Slovenia, Laibach started the Neue Slowenische Kunst art movement, which eventually became a ‘virtual country’ complete with its own passport, amassing a vast collective body of work that was showcased at London’s Tate Modern in 2012. The nostalgic and utopian feel of today’s song is matched by a video that stars a group of young athletes from Riga, Latvia. “It was shot using a one-of-a-kind LOMO camera lens from the Soviet Union,” says Traavik. “This resulted in this extreme widescreen format, much like a three-stripe national flag with the video as the middle stripe.” The director’s 2012 clip of a North Korean accordion band performing A-Ha’s “Take On Me” shared the group’s playful exploration of patriotism and nationhood, while accruing two million YouTube views: “We felt straight away that this is a Laibach-kinda person,” say the band.

Spectre is Out March 3 on Mute.

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Stream Laibach’s new album SPECTRE


by on Feb.25, 2014, under Articles


The new album sees Laibach once again ‘re-inventing’ itself in a newly-born, yet polished and solid formation. And, as is now their custom, Laibach calls into question all the rigid and cemented interpretations (and prejudices) about itself, about its music, intentions, philosophy and ideology.
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RESISTANCE IS FUTILE Teaser


by on Oct.14, 2013, under Articles


 
LAIBACH announce the release of a brand new four-track EP, S, available digitally from today.

The EP features three tracks from their forthcoming album, SPECTRE, available as a free download for ONE WEEK ONLY. Go to spectre.laibach.org to download Eurovision, No History and Resistance is Futile.

The new EP tracklisting also includes a live version of Serge Gainsbourg’s Love On The Beat which was recorded at the band’s Monumental Retro-Avant-Garde Tate Modern event in London.

S’ EP

Eurovision

No History

Love On The Beat – Edit (live) (from the Monumental Retro-Avant-Garde Tate Modern CD)

Resistance is Futile

 

SPECTRE is Laibach’s first studio album since 2006’s Volk, and the follow up the original sound track for Iron Sky (dir. Timo Vuorensola, 2012) and Reproduction Prohibited, a collection of Laibach’s interpretations of songs, watch a trailer for the new album here:

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Re-Turning Identity. Instrumentalisation and simulation of individuality in Laibach


by on Dec.15, 2012, under Events, NSK State


A COZY STATE CEREMONY BY NSK STAAT LIPSK
ON OCCASION

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OF TOMAŽ HOSTNIK’S 30th DAY OF DEATH (*1961 + 1982)

The original vocalist of Laibach, Tomaž Hostnik, killed himself by hanging from a kozelec, a Slovenian hay drying scaffold. His brutally dehumanized performance in Laibach’s monumental spectacle has since fascinated fans and critics alike; the mortuary cult surrounding the late frontman complements and contrasts with the staging of Laibach and NSK as anonymous collectives.

Serving ginger bread and glogg, NSK STAAT LIPSK presents screenings, music and critical knowledge about the subject, as well as a preview of NSK State activities in 2013 featuring guest speakers from NSK STAAT DRESDEN and NSK Nuernbach-Laiberg.

Kulturny Dom B31 – Bornaische Str. 31 – Leipzig/Germany –

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20/Dec/2012 – 8pm/20 Uhr

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